I didn’t start out behind the camera.

I began in special effects, then moved into drone ops - that’s where things shifted.

I realised I was more interested in the camera, the story, and the

environments it took me into than anything else.

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Since then, the work has taken me into very different spaces - from the jungles of Senegal to the quiet streets of Prince Albert. That contrast is what keeps it interesting. Different people, different environments, and figuring out how to capture it properly every time.

 

I spent a few years at Moonsport as an in-house DP and editor,

which built a strong foundation in both shooting and post.

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It’s something I still rely on - understanding not just how something looks,

but how it cuts and holds together in the final piece.

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Now working freelance, I focus on sport, branded documentary,

and studio productions - performance-driven work

built around real moments.

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On set, I keep things moving and focused. I understand how quickly productions shift and what’s needed to stay on schedule - delivering strong images while maintaining an efficient workflow.